after the tense and dramatic soundscapes of jason letkiewiczs nzambi lp under his soundtrack guise alan hurst, emotional response have put the tracks to the test for three appropriately oddball remixers. fellow l.i.e.s. affiliate terekke turns out a heavily sedated dub of >nzambi< that rides a pacey house beat but buries everything in delay and reverb. timothy j fairplay brings some serious sleazy 80s electro tones to >parallel sensations<, complete with predatory vocal and thick ladles of synthy goodness. finally, jonas reinhardt cools off the intensity with a blissful ambient version of >before the dawn< which plunges headfirst into a warm bed of melodic drones.

the same people behind emotional rescue launch as fine sister imprint in the shape of emotional rescue, with a near perfect insight into how the label will operate thanks to nzambi - a quite stunning full length album from jason letkiewicz under his alan hurst moniker. if you consider yourself an avid purchaser of vinyl, you will no doubt have added some letkiewicz heat to your collection in recent times, with excellent releases as steve summers and innergaze in recent times. the alan hurst project sees the brooklyn producer in more laid back form, indulging his passion for library sounds and experimental electronics with just as much aplomb. allegedly commissioned to soundtrack a film on modern haitian voodoo, nzambi is a woozily intoxicating thirteen track set that opens your senses to a true darkness in this producers palette of sounds that has not really been explored before.

the first new album by soundgarden in over 15 years! double 180 gram vinyl lp in gatefold sleeve, includes code for free mp3 download of the full album.

>blurry< runs at 133bpm allowing it to sit neatly between dubstep tempo and the increasingly popular 125-130 bpm bass / house scene that has been developing in the uk over the last couple of years. taking things down an ongy-bongy path, this rhythm provides the soundtrack to a hunter chasing his prey through a humid jungle landscape, with fast weaving beats charged heavy by the deadly subs. the heat is on.
>spearhead< sees roska making a rare 140bpm trip, taking this rhythmical excursion neatly into dubstep tempo territory, creating an original cut which sits in its own world of tribal grime. the bassline pounds heavy, eventually rising upward before suddenly plummeting back down to the murky depths from where it came, and back round again. dis-hyeer quality dubstep music produced pon the other side of the looking glass.

model 500s influence on music arguably looms larger today then ever before, with a fresh wave of fascination coming from a new generation of electronic musicians and fans alike, whos lust for the innovative, original sounds of the first wave of detroit techno knows no bounds. ofi has already received the remix treatment from two big guns of the r&s stable, space dimension controller and bullion, who both applied their unique touches to the original in the 2010 remix release, and now it is the turn of apollo - with five new mixes coming from sei a, shadowchild, synkro, indigo and colonel red respectively.

the next musical offering from no.19 comes in the form of robot heart. a record almost destined to be a classic before its creation. this is the same robot heart that burners chase through the desert on bikes deep into the playa to partake in one of the worlds most enigmatic events. it s been praised by the likes of rolling stone magazine as one of the best parties on earth and continues to top the lists of dj s lucky enough to play atop the legendary mobile soundsystem..

with influences ranging from breakcore and jungle to techno and electronica, their sound is just as far-reaching with organic sample-based productions and synthetic, processed electronic beats. lakkers torann ep, their second release for blueprint, kick-starts with the dappling beats of summer rains, before moving onto the more experimental mustard crying. ciar takes us back to the dancefloor with ominous undertones, while static & amp is a simple but effective exercise. finally the diminutive but meticulous one note caps the ep off in fine lakker style.

chairlift present takes on several cuts from acclaimed second album >something< by some of their favorite producers, showcasing how their songs can easily be adapted for the club. appropriately titled the 6.15amix, spanish equipo fantástico john talabot and pional turn >i belong in your arms< into a balearica-infused club-closer. a nifty piano line and seductive rhythm take the song on a late night (or rather early morning) trip to the beach, while carolines voice is being warped into something from outer space. photek takes the same track to a whole different place with his powerful jungle interpretation. martyn respects both the pace and rhythm of sidewalk safari, yet exchanges the clean production for a rather more cosmic beat, incorporating many of his signature touches to compliment the sinister >i m gonna hunt you down< lyric. dan careys dub mix of >sidewalk safari< shows a more playful side, while arguably the most intriguing remix of the package is the fields take on >met before<, recalling his early work it is so warped and layered you may struggle to imagine the original minus the smallest of hints.

after bringing together the extended family for retrospective s first showcase compilation, label co-founders and curators ruben & ra follow up with a 4-tracker from the revered glaswegian disco duo, slow it down and the london-based house veteran elijah collins. alright, inspired by nv s classic from 83, marks a collaboration between slow it down & elijah collins. following on from the trio s reworking, there s a ruben & ra remix that layers nv s vocal sample over original analogue riffs and a weightier bassline. having recently featured on the yam who?s midnight riot vol.2 compilation, i dont need pumps cherelles affair forward by 3 decades, before the janet jackson-sampling tramadol boogie completes the flipside in fine style. finally, a big thanks to yam who? for sanctioning the inclusion of i dont need ...

this is the last teaser before the release of the kruse & nuernberg album >lets call it a day<, featuring, yet again, the beautiful vocals of stee downes. on remix duties, we have lazy days regular shur-i-kan with two completely different flavors. his 80s vocal mix is a beautiful update of the original, speeding up the tempo for peak time play, while his 90s dub is a straight up stripped down classic house re-work. first time on the label, we welcome nathan g with another fine remix that can be played at just about any time of the night. lastly, we have the original in all its beauty, at its slower original tempo.
support by matthias vogt (motorcitysoul), charles webster, jimpster, giom, lee curtiss, johnny fiasco, quentin harris, lovebirds, laurent garnier, roberto rodriguez, llorca (art of tones), funk d void/françois dubois, agoria…, ...

menacing industrial techno from some backwoods laboratory in a hostile environment. part 2 is slightly more accessible for humans and more experimental than the first part. limited to 200 as usual, handstamped. they sell like frankfurters at a german brothel, so best not sleep. you have a bout a week before the curtain closes.

menacing industrial techno from some backwoods laboratory in a hostile environment. limited to 200 as usual, handstamped. they sell like frankfurters at a german brothel, so best not sleep. you have about a week before the curtain closes.

following on from a pair of extended players released in 2011 (passed me by / we stay together), andy stott returns to modern love with luxury problems, an 8 track album of new material recorded over the last 12 months. five of the tracks on the album feature the voice of alison skidmore, andys onetime piano teacher whom he hadnt seen since he was a teenager back in 1996. there was no grand gesture in mind, it just sort of happened – but after almost a year of studio work the result is really quite unlike anything you will have heard from him before.

following the s_w_z_k debut album, which came out on tresor records before the summer, david brown offers here further insights into the most recent developments of his new departure. receiving the help of long-time collaborator and friend richard davis, the duo continues its dive into the concrete and metallic landscapes found on their eponymous lp effort. the variant & empires ep however marks somewhat of a slight departure from the obscure experimental investigations previously undertaken. tc4 variant is a roaring number, aiming specially at the dancefloor and taking the duos energy to its highest point, while second city of the empire intimately unveils the deeper side of their enterprise.

das texanische quartett beschwört dylan und die 60er-jahre. die vinyl-lp kommt inklusive code für kostenfreien mp3-download des albums.

two of the uks most formidable names in techno step into the ring for a head to head on theory. stephen brown is a man who certainly needs no introduction, and his knack of channeling the best of detroit innovation and adding his own distinct flavours shows no sign of letting up. on >fuego< and >polar< brown takes us further into the jacking zone, his signature lush melodies driving up the rear until they envelope the tracks in a haze of deep and emotive vibrations, but never letting up on the tough rhythms. ben sims is drafted in to remix both tracks, leaving slicing shards of sound and roughing up the beat on his remix of >polar<, before delving into a hard-funk take of >fuego<. big business from two keepers of the true techno flame.

before the release of his debut album on ki, monokle throws in an ep to show us what to expect. the beautiful track >swan< pretty much describes perfectly what monokle means when he says that simple rhythms and catchy beats get him bored quickly. being influenced by the music of the british imprint warp for example, the sankt petersburg based artist has pretty much developed his own interpretation of well, what should it be called? it is monokle! he has his very own aesthetic approach to music and has a very fine hand for sublime melodies and atmospheres. on the b side he teams up with his friend and partner milinal. >swan< gets a proper retouch by daisuke tanabe, who shares monokles deep soundscapes and is just the right member of the ki family to get his hands on this ep.
pressing on transparent blue 10 inch vinyl.

100% organic cotton . let us take you back, back in time, back to 1987... no not mooooondance, but detroit where a certain derrick may has just released -nude photo-. with his kind permission we ve reproduced centre label artwork from that fabled release for our latest collaboration with the legendary label that istransmat. art by mr alan oldham. this super ltd and one of 30 in this colour. get one before gone for good. a 1 colour chest print on an super-soft black heather organic cotton sweat, this design was made with love in detroit and printed in the uk.

100% organic cotton . let us take you back, back in time, back to 1987... no not mooooondance, but detroit where a certain derrick may has just released -nude photo-. with his kind permission we ve reproduced centre label artwork from that fabled release for our latest collaboration with the legendary label that istransmat. art by mr alan oldham. this super ltd and one of 30 in this colour. get one before gone for good. a 1 colour chest print on an super-soft black heather organic cotton sweat, this design was made with love in detroit and printed in the uk.

electro rapide is a collection of rare and unreleased archive material from the studio archives of legendary french orchestral pop composer jean-claude vannier. taken from the period before and during his revered creative relationship with serge gainsbourg (reaching their halcyon with 1971s histoire de melody nelson) these tracks reveal a rare glimpse of vannier’s self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of frances most in demand arrangers and composers of the post mai-68 generation...

having spent most of 2012 so far further establishing itself as a global bastion of forward thinking electronic dance music, the rwina label is changing things up a little with an ep from young dutch producer jameszoo.
on faaveelaa jameszoo displays the kind of brazen ingenuity that youth affords by drawing inspiration from dancehall before finding its edge to craft an entirely new take on the genre and using that to paint a colourful sonic picture of what he imagines a favela might look like. sounds mad? it is, in a good way. by his own admittance the picture he paints is also a bit messy, yet there is beauty in chaos. as for the inspiration, it can sometimes be hard to hear at first though anyone familiar with jamaicas dancehall tradition will recognise the instantly catchy quality of faaveelaas riddims.

joyce muniz is a vienna-based, brazilian dj, vocalist and producer. muniz was introduced to us by maya jane coles and we are proud to increase our female talent at the label. joyce is currently one of the leaders of a new style which fuses european club sounds with rhythmic influences from south america and the caribbean. she has collaborated with stereotyp, louie austen and munk, and her solo outings for exploited have been getting rave reviews

a freaky, bumping brand of deep house that stands apart from the glut of smoother styles being mined at present. >groove your world< boasts surreal pads that create an overall delirious vibe, only bolstered by the off-kilter choice of vocal snippets and occasional thunder cracks. medlars remix finds its way into that swinging shuffle that hes made his name on thus far, with some smooth keys to boot. >let me know< works off some bold chords before meandering off in an altogether different direction, and >you got my time< clatters along with a quintessential chicago ruffness that leans heavily on the drums

the new bomb on echocord colour comes from echologist aka brendon moeller. brendon already did releases on echocord and echocord colour before, but this time its with one of his other monikers echologist. buzz factory is a super deep powerfull monster for the dancefloor, comes in 2 other versions aswell, one remixed by brendon moeller himself and the other version by a good old friend of echocord, the one and only pole, aka stefan betke. stefan also did the mastering bendons pursuit of all things subby and dubby continues on buzz factory. its a forever evolving exploration and experiment. getting better via practicing what he does is the key that opens the door to transcendence, the high, the rush. desire, adventure, the challenge, the satisfaction, joy. seeking joy. seeking pleasure. buzzing!

micatone come off with a true masterpiece of sophisticated pop with their new and fifth album >wish i was here< (released in march 2012). not only the music press and feuilletons but also old devoted and newly found fans agree: micatone never sounded better before. the second offspring off the album is a 2-tracker with two very special remixes. label mate stee downes takes on >sweet pain< as if it was his own track and kicks out a vivacious deep house stormer. there is no doubt that this remix will be in every bag of those djs that put some more emotions on the floor. the second remix was orderd in italy - in bologna to be exact. keemani and alex ferratti just started their new project blue mondays and now – with their rework of >just a boy< – promisingly launch their career to become the next in-demand remixers. they dont just lay a vocal track over a pre-programed beat, but use all of their devotion, accuracy and finesse to turn an already astonishing pop song into an anthem for everlasting nights. it is like preparing the perfect sugo: simmer exquisite ingedients for days until your mouth is watering. perfetto!

two tracks by carol williams which have never been released before.

ideal audios latest offering is served up by remain & electric rescue.erma finds the duo in sinister form.their mysterious machine opens with a broken beat before its thumping kick-drum breaks through and powered by a rocky electrified bass riff marches on through two huge breakdowns. marc houles remix unleashes a snarling bassline and spritely melody before the snare roll announces the the arrival of the synth line.

ever wondered what untold jamming with gang of four after a night at rage might sound like? of course you havent. neither have we. but it will give you some clue to the sound-clash he’s cooked up for the final part of his change in a dynamic environment trilogy. kane picks up a nagging post-punk baseline and drives it like marty mcfly through three decades of club music. while overdrive simmers with punk attitude before spitting right in the face of melody and exploding into a raucous, drums & bass jam.

the enigmatic heatsicks casiotones evolve over this ep with the inclusion of accompanying drum machine (something we havent heard in his productions before) - four focused tracks that express the overload from stimuli and expansion from time space compression label art by jean-michel wicker!tip!

the bolognese disco don riccio returns on bosconi extra virgin with strong houseyoriented 4 tracker vinyl with a stunning dj sneak remix! still embedded in obscure disco and soul sampling, riccio is always keeping his distinguable touch dense of inspiration and love for the original american deep house rooted sound. about the beautiness of the tracks we can say that come back is a loopy and techy disco banger in the vein of ugly edits and soundstream, while son of love and undercover are two swinging and sweet deep house moments like we never heard rom riccio before. the release includes a pumping filtered reinterpretation of come back by the almighty dj sneak!

spring toy is an elegant a-side crafted with classic house influences in mind. meandering casually before beginning its ascent into deepspace territory, detroit styled synth lines and intricate melodies hang above a funky undertone which hooks from the off. continuing its cosmic trajectory, the ep’s b-sides set their coordinates into dub techno regions. lindberg’s quirky astral synths and futuristic soundscape trigger a dream-like state…think sci-fi beams and interplanetary navigation and you’re half way there. shudder is a more up-tempo sonic excursion, propelled by its galloping techno rhythms. the ebb and flow of trippy pads and crystalline waves play to the senses.

the debut solo album from visual artist james brooks. instrumental electric guitar compositions that respond to the history and geography of former roman roads.
pressing on heavyweight 180 gram vinyl, including cd-copy and 12 inch booklet.

very special release!!! no represses when working on something, many other things happen which have an appeal of their own but do not fit together with what you have in mind, or where you are heading. this series of recordings is about the unexpected, things opposed to the plan. it is a slice of life, a snapshot that divides before and after. the more conscious you are of moments like this, the more often you will experience that something special is happening right now, in this second. and then it is gone for ever… unless you buy it on vinyl... already played by karotte (cocoon / great stuff)

landing just a week before his new album >fading< – dfrnt is releasing an incredibly special ep – not only is it the first ever echodub vinyl release, but it will be a limited edition hand-numbered 12 inch picture-disk!
the el spirito ep is a three-track vinyl. the a side, el spirito is one of the lead tracks from the fading lp – which is set to be released a week later on 3rd september. the first b-side >work harder< combines dfrnts ear for melody and deep sounds with a techno-based 2-step shuffle. the second b-side >homeward< is a far deeper and more relaxed journey featuring the talented scottish singer joy dunlop.

this record flivvers vol.2 is the second volume in a story of the end of one love one life, and the beginning of a new love and new life even greater than i had known before. it is a story of total life transformation and risk taking. of following blindly ones own dreams and desires without fear. each song is giving you more detail to the events that transcribe my life into vinyl. you may not know now my name, you may not know my face, but if you know my music you know my life, my joys, and my sorrows. if you know my music you know my heart

new yorks premier experimental drum & bass imprint, offshore recordings, teams with londons left of centre 170 bpm music tastemaker, organic, to present the osrorg series. the two combine mutual musical vision with a joint exploration of the subversive sounds. the creative essence of both new york and london are captured in this transatlantic collaboration- showcasing true urban breakbeat culture. osrorg002a daat - >orange line< newcomers daat bring a serene piece of music just in time for summer. one half of the duo, jason os, is no stranger to lush pads and beats with releases on modern urban jazz and counter intelligence. a catchy lead line and moody atmospheres are rooted atop a heavy 808 kick drum. think of the musical marriage of david lynch and 170 bpm, with a brooding baseline to keep it all grounded. for fans of synkro and indigo. osrorg002b daat - >orange line (deep blue remix)< before you ask, yes, its >deep blue<, deep blue. the legend has come out of retirement to bless us with this amazing remix. he completely deconstructs the elements from the original and filters them through a completely different style. deep blue combines a collage of smooth glacial textures with hypnotic driving beats re-arranging the dna of the original track. techno nuances at 170 bpm.

after a successful first e.p. axe gabba murda mob is back at their own base to deliver another heavy impact high level dose of technical (uk) hardcore. axe gabba murda mob combines vicious breaks with filthy kicks combined with 1 million of edits. also this e.p. is again a 4 tracker, featuring both slow and fast ultraviolent hardcore. mayo bayo bastards, repeat precription, take it to the man and get ya prambs up complete another quality e.p. limited press also so order as many copies as you can before it is sold out. the first e.p. is very low on stock so you might wanna grab that one as well!

from his earliest demos to his current position as a key figure in the global techno scene, perc (aka ali wells) has taken the established forms of the music he loves and twisted them into something new and fresh. building up successful relationships with scene-leading labels such as drumcode, ovum, kompakt and clr whilst unleashing a strong run of releases on his own perc trax label has seen percs influence and support grow even further. with each release his sonic experimentation has taken another leap forward without losing sight of the dance floor.

after firmly establishing their nu funk steez in the digital realm with countless releases, london label boogie boutique reached into the glamorous world of vinyl in fine style just before christmas with the double 12 inch drop a year on wax. they elect to continue their twelve inch shaped adventures with a label regular at the helm in the shape of funk ferret. the new zealander has featured on many a boogie boutique release, as well as other nu funk labels such as booty pirates and ghetto funk, so keen observers of the scene will know what to expect. >pushin forward< features the mic spitting skills of imagine this, whose mr lif style delivery is the perfect foil for a trademark mid tempo bass heavy bump from the ferret. boogie boutique have assembled a fine cast of remix talent too, with big beat veteran cut la roc dropping a fine sample heavy revision that allows the vox to shine. fellow bb artist and montreal dweller nick fonkyson adds some crunchy riffage to the mix, whilst the funk ferrets regrooved sound system partner dj alias concentrates on teasing out some bassline deviancy with some help from benson.

a limited chance for you to get your hands on this achingly-rare panda records track >people hold on<. originally released in 1984, this stylishly classy record feels like undiluted house brought to you from before house even existed! super-tight production skills from wuf tickets james mason pull together a goosebump-inducing bassline, deeply hypnotic synths and tantalising handclaps topped off with earl flints elegantly sexy, meltingly cool vocals to deliver a masterpiece in early 80s nyc groove. backed with a much in-demand killer instrumental version, this record is almost impossible to find out there on the wax market. killer electro house on quality remastered vinyl - an absolute must have. people dont hold on!

check this out - before going on holiday here it comes! for the most sophisticate clubbers, a new pearl signed wwr, the current most ambiguous label! lazy but not dead, when the duo altarboy moves its ass theres no crap to cut. the synth programmings on this 12 inch is pure analogical sound. the lows on the two tracks draw the rhythm with an able mix of roland, korg e moogs timbre. the rest comes around and sounds great. the detune on the second part of lazy ass is for real experts. go rejoin yourself with the well done house.

summer edit featuring a special track for free parties, plus includes an uncommon track with overdrive percusions. brandcash has a real addiction for sophisticated synths, timetothink (purpose mix) seeks to go as far as it can bewith such sounds in a techno way, pushing the limit ... just before the core music.
whereas the planck constant mix is kicking a hypnotically lead-sound, turning detroit influenced at some moments. jayg05 ends with a very loud side b, focusing on 2 basic elements: kick and percussion. drummer 404 on side b features a real massive kick and saturating percussion. a sound you havent heard in a long time.

tony ollivierras issued a generous number of singles and eps under the ibex moniker on rushhour, planet e, yore, and his own ibex music, and now follows up his 2010 yore release, meltdown, with absolution, though this time under his birth name. no matter: ollivierras music sounds great, whether issued under his real name or an alias, and absolution is no exception. the infectious title cut gets things moving with a bass-powered blend of claps and funky rhythms before chunky house chords and silken synth figures add to the tracks multi-layered splendour. a jazzier dimension rises to the surface of quick release when the tunes churning hi-hats are joined by royally swinging electric piano playing and luscious synth pads.phase down opts for a purer deep house sound in its focus on kick drums, claps, and futuristic synths, though the track proves that ollivierras naturally funky side cant help but emerge, here as it does elsewhere.

opening track >what i do< introduces the ep on a poignant note with its sombre keys and emotive vocal flourishes without forsaking any of the force at its fingertips, driven by the bubbling subs and electric midrange. >fall< then sweeps in on a lush bed of glistening keys, soft vocal flourishes and a skipping drum line before crashing back down to earth with waves of warping bass tones blasting through the low end of the track. counterpointed by the soaring synth notes that flicker above, mydas balances the light and dark elements brilliantly.

vinyl only ! czr channel zoo recordings from ibz deliver the belearic vibes to us - its time for michael james to introduce the label with some classic pumping vocal house - movin! already the most forward thinking music project ever to hit the island of ibiza, channel zoo was initially an event offering a variety of cutting edge new sounds, provided by the unrivaled underground house and techno record labels of the future. with rapid development from ibiza into hosting channel zoo events at the most prominent clubs in europe featuring only the best artists it was only a matter of time before a serious imprint was established.

hollands fah aka robin de bekker enters the scene with this heavy, braindance inspired five tracker. opener fine space is spooky and upbeat with false melodies fighting the tracks ground level acid bubbles.bonus orbits starts off as a fast electronic harpsichord cut for a smart dance floor before turning into a hectic swamp of challenging harmonies.sixears is a shorter track holding the middle ground between a moody elecktroids tune and hectic, vibert-like acid. the eps title track and centerpiece then, is characterized by rewinds, whistles, haunting melodies and a total lack of repetition, its a 9 minute long excursion into the most unreal part of bekkers mind. fah finally says goodbye with an eerie cut that sounds like a humming predator with no food to eat. fahs first one for 030303 comes with appropriate, occultist artwork.

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

summer is here people and ovum recordings are about to kick start the season with yet another label debut from dirty channels & bugsy. and this time it already comes recommended. techno takes a back seat as the label continue their stunning run of house releases with alone. label chief josh wink had asked house don, dave pezzner if he had anything in the locker for ovum. having just completed his own rework of alone, he sent it across and within minutes the ovum crew had fallen for its charms. josh actually tweaked the original pezzner remix for his own sets and before long has snapped up the whole release for ovum. dirty channels team up with longtime friend bugsy on the deliciously smooth alone. with their warm bassline, velvety synth and the sultry vocals of amina, the trio have delivered the perfect summer soundtrack. with a brace of mixes from wink backed with a reworked and refreshed double from pezzner, ovum are ready to turn up the heat. enjoy!

killer release on new yorks sequencias label. powerful and hypnotic chicago acid inspired cut on the a and a cool slow building chord driven track layered over raw drum rhythms on the b-side. recommended!! label promo text: sequencias does not stop, does not conform, takes no prisoners. our third release brings you a pair of artists from two different points along interstate 94, who have a reputation for the very same. so lets get to it. the main body laid down by villan x is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. foreboding tones and feelings drift towards us across which the disembodied voice of kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated organ chords, but doesnt leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. this provides for the body and the mind. act fast though, sequencias does not like to rest.